Lost in the hood and stalked by hung thugs — sound appealing? Don't answer until you witness the trials of the bottoms in these predominately interracial encounters. The thuginess comes at the hands (and monster cocks) of the aptly named Sexcyone and Thugzilla, prolific performers whom most any fan of the black genre will immediately recognize. With his cocky bravado, Thugzilla, in particular, is well suited to this movie's highly aggressive approach. If you're bothered by the "N" word flying around, this won't be your cup of tea.
On the other hand, its confrontational, in-your-face style gives the movie a welcome edge, and viewers who get off on degradation and submission may find that it puts some extra tent in their pants. Each scene begins with a bit of bait-bus style cruising, in which the unseen director chats with Thugzilla or Sexcyone as they prowl the streets for prey. After they are confronted on the street, the fresh kills are thrown into the back of the SUV and verbally and sometimes physically assaulted, particularly by Thugzilla. I realized with a mix of horror and amusement during each of his scenes that other motorists could easily observe him roughing up his partners in the vehicle; it's no surprise in a later scene that he and the director joke about having to tone things down a bit after a scrape with the law while filming a scene.
His first victim is a young black man, JayJay, who is forced to suck and sit on Thugzilla's impressive slab of meat. Next on the hit list is Adam Young, a white pretty boy who pays dearly for a transgression against a crew member. The impossibly hung Sexcyone then appears, perfectly packaged in a wife-beater and skimpy black 2xist briefs, to molest Slim Goodin, a black dude plucked from the street. "Put your hands down. Open your mouth," Sexcyone demands as he stands on a leather couch, fucking the young dude's face as he tries to squirm away. "Where you goin'," Sexcy taunts as he pounds the slim bottom. Later, Goodin is in ecstasy, groaning like a madman and grasping Sexcy's ass to make him slam harder. This scene is the real keeper of the bunch.
Thugzilla gets back on the prowl, tracking a couple of Mormon boys walking the hood. "They're both ugly," observes the director. It sees a missed opportunity that Thug lets the cuter of the two run away as he drags the blond one to the SUV, where he immediately starts roughing him up. The blond is a cockhound and Thug has a field day with it, making the Mormon sing as Thug drills him. In the finale, Thugzilla teams with an average looker to work over a slutty emo type in a fitting end to an intense and entertaining ride.
DVD Extras: Scene selection, trailers, gallery.
